He is called a maestro, genius, rebel, maverick and his peppy, trendy tunes have become embedded in the collective psyche of our nation. The songs composed by this legendary composer are still as popular as they were in the late 50’s and early 60’s when he was at the zenith of success.  It is on this day i.e 28th of January that he left this world three years back. He created his own unique style and rhythm and became immensely successful without using the genius of Lata. I am talking about one of my all time favourite music directors O P Nayyar.  I have grown up listening to his music which critics say was ahead of it’s times infact All India Radio found it so trendy that it stopped airing it for sometime but O P did not change his style and ultimately AIR had to give in. It is astonishing to know that despite having no formal training in music he created such timeless melodies. He has given such gems as ude jab jab zulfein teri,maang ke saath tumhara,ye hai Bombay meri jaan,mera naam chin chin chun,reshmi shalwar karta jail ka,isharon isharon mein,aap yunhi agar mujhse milte rahe,bahot shukriya,yehi who jagah hai,ye hai reshmi zulfon ka andhera,dewaana hua badal,aap ke haseen rukh pe,chain se hamko kabhi.I  like so many of his songs that not all of them can be accommodated in this short blog.
He was born on 16 january 1926 in Lahore. His first film as a music director was Aasman in 1952 but it sank at the box office so did his other two films Cham Chama cham and baaz . Just when he was ready to pack his bags and leave  Aar Paar struck gold at the box office in 1954.Eilo main haari piya,kabhi aar kabhi paar,babuji dhere chalna became runaway hits . The successes of Mr & Mrs 55 in 1955 and CID in 1956 catapulted  him to instant fame  and he became the first music director in the Hindi film industry to charge one lakh fee per film. In 1957 he gave Asha Bhosle, at that time a struggling singer, a real chance to sing in Dileep  Kumar starrer Naya Daur, earlier he had used her voice sparingly, and what happened next is history.The pair created magic in many films including Naya daur,phagun ,Kashmir ki kali,phir wahi dil laya hun,mere sanam,pran jaye par vachan na jaye etc. He is credited with moulding Asha’s voice and giving her respectability.
O P Nayyar popularised piano which ripples through in aap ke haseen rukh pe in baharein phir bhi aayengi. He composed naughty, haunting,spirited,romantic,sad songs ;a true genius. He lived and died on his own terms.
 
